The Man of Law's Tale
Introduction:
The story of Brunhild, a sixth-century Frankish queen, is so outlandish that it seems worthy of mythologization in one of Chaucer’s Canterbury Tales. Written in England toward the end of the fourteenth century, The Canterbury Tales follows a number of English pilgrims en route to the shrine of Thomas Becket, a Christian martyr and saint. The pilgrims spend their free time storytelling, with each story dabbling in new genres and themes. The Man of Law’s Tale, in particular, grapples with the idea of women as both the suppressors and the suppressed. I was therefore interested in using the tale as a template with which to re-tell the story of Brunhild’s life.
The Man of Law recounts the trials of a young Roman princess, Custance. Our heroine leaves home reluctantly, at her father’s command, to marry the pagan sultan of Syria, who converts to Christianity in exchange for her hand. The sultan’s courtiers, especially Custance’s new mother-in-law, are wary of the sultan’s conversion and Custance’s evident sway. Led by the dowager sultaness, they murder the king, seize the throne, and set Custance adrift on the open seas. Custance lands, fortuitously, on the English coast, where she quickly catches the eye of the Northumbrian king. He marries her, impregnates her, and then promptly leaves on a military campaign. In his absence, Custance once more incurs the jealousy of her nobles and her mother-in-law. She is framed for a series of crimes, before once more being cast out onto the seas. After enduring further adversity, she ultimately finds her way back to Rome, her father’s household, and her husband. She is restored as queen and her son as prince and heir to both England and Rome.
Custance’s story admittedly deviates from Brunhild’s in a number of significant ways. Most obviously, Custance receives at least a nominally happy ending while Brunhild decidedly does not. Nevertheless, several major themes overlap. Both Custance and Brunhild serve as vehicles for exploring things like religious conversion, female rivalry, a mother’s stake in the prospects of her progeny, and the dynamic of women as either political actors or pawns. Furthermore, though the stories’ endings are ostensibly so different (Brunhild is defeated, Custance is restored), I would argue that both actually conclude with a woman “rei(g)ned in.” Brunhild is curbed quite violently – she is gruesomely executed – whereas Custance returns more quietly to the sidelines – relegated once more to the domestic sphere. Either way, both are put in their place.
In my account of Brunhild’s life I will play up these notions and themes, first by mirroring the tripart structure of the Man of Law’s Tale. Our protagonists begin as princesses with bright futures ahead; they evolve, somehow, into queens faced with innumerable enemies and uncertainties; they end as dowagers, fighting desperately for their own survival and the aggrandizement of their heirs.
The story of Brunhild, a sixth-century Frankish queen, is so outlandish that it seems worthy of mythologization in one of Chaucer’s Canterbury Tales. Written in England toward the end of the fourteenth century, The Canterbury Tales follows a number of English pilgrims en route to the shrine of Thomas Becket, a Christian martyr and saint. The pilgrims spend their free time storytelling, with each story dabbling in new genres and themes. The Man of Law’s Tale, in particular, grapples with the idea of women as both the suppressors and the suppressed. I was therefore interested in using the tale as a template with which to re-tell the story of Brunhild’s life.
The Man of Law recounts the trials of a young Roman princess, Custance. Our heroine leaves home reluctantly, at her father’s command, to marry the pagan sultan of Syria, who converts to Christianity in exchange for her hand. The sultan’s courtiers, especially Custance’s new mother-in-law, are wary of the sultan’s conversion and Custance’s evident sway. Led by the dowager sultaness, they murder the king, seize the throne, and set Custance adrift on the open seas. Custance lands, fortuitously, on the English coast, where she quickly catches the eye of the Northumbrian king. He marries her, impregnates her, and then promptly leaves on a military campaign. In his absence, Custance once more incurs the jealousy of her nobles and her mother-in-law. She is framed for a series of crimes, before once more being cast out onto the seas. After enduring further adversity, she ultimately finds her way back to Rome, her father’s household, and her husband. She is restored as queen and her son as prince and heir to both England and Rome.
Custance’s story admittedly deviates from Brunhild’s in a number of significant ways. Most obviously, Custance receives at least a nominally happy ending while Brunhild decidedly does not. Nevertheless, several major themes overlap. Both Custance and Brunhild serve as vehicles for exploring things like religious conversion, female rivalry, a mother’s stake in the prospects of her progeny, and the dynamic of women as either political actors or pawns. Furthermore, though the stories’ endings are ostensibly so different (Brunhild is defeated, Custance is restored), I would argue that both actually conclude with a woman “rei(g)ned in.” Brunhild is curbed quite violently – she is gruesomely executed – whereas Custance returns more quietly to the sidelines – relegated once more to the domestic sphere. Either way, both are put in their place.
In my account of Brunhild’s life I will play up these notions and themes, first by mirroring the tripart structure of the Man of Law’s Tale. Our protagonists begin as princesses with bright futures ahead; they evolve, somehow, into queens faced with innumerable enemies and uncertainties; they end as dowagers, fighting desperately for their own survival and the aggrandizement of their heirs.
*One note: While I use rhyming couplets because they seem so
quintessentially Chaucerian (much of The
Canterbury Tales is in rhyming couplets), The Man of Law’s Tale is actually not.
Here
Beginneth the Man of Law’s Tale:
Long ago there was a Frankish king, both wise and
just,
Shamed by brothers who had surrendered entirely to
lust.
His brothers having taken most unworthy brides,
Good King Sigebert was truly surrounded by vice on all
sides.
He was therefore determined to only take a wife of
noble stock.
He vowed to find a woman with virtue as solid as rock.
His prayers were answered sooner than he might have thought,
When news of a most eligible princess was to him
brought.
The Spanish king’s daughter, Brunhild, had acquired
great renown,
Tales of her beauty and dignity spread from town to
town.
She was prudent in judgment and amiable in address,
Fair to look upon, graceful in form, and humble no
less.
When these wonderful qualities were relayed to the
king,
He fell so in love with her, he could think of no
other thing.
He sent his best emissaries to the King of Spain,
Insisting that Brunhild’s hand alone could end his
love-induced pain.
An advantageous marriage this would be,
Thus, Brunhild’s father was quick to agree.
With all manner of gifts, she travelled to her new
husband’s land,
Greeted by feasts and celebrations that Sigebert had
planned.
Once introduced to Christianity, she gladly did
convert,
Pleasing God and her husband equally, one might
assert.
It seemed as if this match could not have turned out
better,
Yet all of this would change when Brunhild received a
fateful letter.
--
News arrived that made
the queen quite wary,
Her brother-in-law,
Chilperic, was apparently looking to marry.
Jealous of his brother
Sigebert’s noble bride,
Chilperic had been
searching for an equal one far and wide.
As it happened, Brunhild’s
sister Galswynth was her equal in looks and virtue,
Chilperic was determined
to have her, no other woman would do.
Predictably, however,
Chilperic soon grew tired of his new wife,
And with the help of his
mistress, Fredegund, ended poor Galswynth’s life.
Brunhild’s woes would
tragically not end here,
For soon she would lose
another she had once held dear.
You see, she and
Fredegund were now more bitter enemies than there had ever been before,
Out of hatred for one another,
they persuaded their husbands to wage bitter war.
Sigebert initially seemed
to come out on top,
And Chilperic’s fortunes took
a precipitous drop.
But insatiably envious of
Sigebert’s success,
And fearful that their
status would forevermore be less,
Chilperic and Fredegund
conspired still more,
Bewitching servants into murdering
Sigebert, or so goes the lore.
Chilperic then seized
everything that had once belonged to Brunhild and her kin
Leaving his sister-in-law’s
fate precariously uncertain.
--
However, Brunhild was not to be so easily defeated,
Even if her stock had been momentarily depleted.
She rose again as regent to her young son Childebert,
She built roads, churches, and forts where once there
had been only dirt.
In spite of resistance from many of the noble lords,
She ruled effectively according to the records.
Though for Theudebert, her grandson, she tried to help
in the same manner,
His advisors managed to turn him completely against
her.
In exile she wandered for quite some time,
Until her other grandson, Theuderic, heard of this
unconscionable crime.
He brought her gladly into his court,
Higher even than a royal consort.
Furious still at Theudebert’s disloyalty,
Brunhild set Theuderic against his brother irrevocably.
Guided by his grandmother, Theuderic ultimately won
the day,
Seizing Theudebert’s kingdom without delay.
Having outlived, at this point, seemingly innumerable
kings,
Brunhild would still go on to do a few more things.
Upon Theuderic’s early death she would act as regent
one last time.
Though a great-grandmother now, she still might as
well have been in her prime.
Nearly invincible though she did appear,
Many courtiers at her would sneer.
When a rival king, Clotaire, at last managed to seize her
land,
And had her in the palm of his hand,
He and her enemies accused her of a great many heinous
transgressions,
And had her executed in so vile a way I cannot offer
descriptions.
And fare now well! My tale is at an end.
Now fickle Fortune, that of her might may send
Woe after joy, govern us in her grace,
And keep us all that are here in this place.
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